A fun project with Engine from an afternoon in Albuquerque is released today. Go check it out!
Opportunity International, a client of mine over at Storyspark, is celebrating 40 years of serving small-scale entrepreneurs in developing countries. I worked with them to develop the story behind the anniversary, as well as produce this short piece explaining the campaign. Props to Gord for the design and Ryan for the excellent animation.
Learn more about the campaign at ican.opportunitycan.ca.
As a follow-up to the first video, this motion graphics piece was developed by Storyspark to communicate the urgency & the simplicity of the need for families to adopt.
As a follow-up to the first video, this motion graphics piece was developed by Storyspark to communicate the urgency & the simplicity of the need for families to adopt. Kudos to the excellent design & animation chops of Dan & Gordie, with the music track by Adrian Bradford. Always great to work with these talented people.
Find out more at endthewait.ca.
In this two-minute promo produced by Storyspark, Benjamin (a cool & wise 10-year-old) talks about what it’s like to be adopted.
Over the past several months I’ve been working with a dedicated group of people who want to see the end of the waiting generation in Canada. More than 30,000 kids in Canada are waiting for adoption – and they aim to change that.
My journey with them began by helping uncover their core story through a process I call “story finding”. We found that, though the number of waiting kids is a daunting challenge, it’s also a great opportunity. This is the first of a series of videos talking about adoption and what it means to those who experience it.
Find out more at waitingtobelong.com.
The opening film for the 2010 Contagious Conference, held at the Vancouver Convention Centre and hosted by BCAIM.
The opening film for the 2010 Contagious Conference, held at the Vancouver Convention Centre and hosted by BCAIM. Produced by my new company, Storyspark. Directed by yours truly and the ingenious Dan Stewart. Awesomeness brought to you by all the Contagious Conference volunteers.
Filmed in New York in the fall of 2010, Seth Godin speaks on what it means for marketers to be the primary storytellers in an organization as part of a sneak preview for the 2010 Contagious Conference.
A few weeks ago, I had the privilege of filming Seth Godin in New York as part of a series of videos for the upcoming Contagious Conference. We had a great time during the interview, with Seth sharing lots of insight and new ideas about marketing, gift culture, and what it means to be a Linchpin. If you’d like to see the full interview… well, you’ll have to come to the conference for that :)
This is round two or three of a series of projects that have quietly launched my new venture, Storyspark. If you haven’t already, head over to the website to check out what it’s all about.
A few days ago, on the rainiest August day on record, I was part of a crew that headed to Chilliwack for a test drive. Our test vehicle has a 38-litre V12 engine and weighs 40 tons: the venerable T-55.
I had to think about whether to post this. My views on war aren’t really compatible with going out to “play” with a machine like a Russian main battle tank. But at the same time, this is about making movies. And we had a lot of fun on the day. This test drive is part of a more extensive behind-the-scenes look I’m shooting for the 3rd season of Sanctuary, a Vancouver-based television series that airs on the SyFy network. I can’t say any more than that. Have a look at the video.
Recently I had the privilege of working with friend & photographer Dave Delnea on his first short film, OnGray. I worked with Dave to build a story out of the photographic pieces and create a colour palette signifying events within the story world.
Recently I had the privilege of working with friend & photographer Dave Delnea on his first short film, OnGray. Conceived as a collaboration between friends, OnGray began as a photography shoot before growing to include video and a large crew of collaborators. My part was to cut the piece together and colour grade the final film. I worked with Dave to build a story out of the photographic pieces and create a colour palette signifying events within the story world. It was a lot of fun, and the finished product & website looks great!
The Wellspring Foundation for Education is a hard-working non-profit in Rwanda. This promotional film is the collaborative effort of several creatives that began with a filming trip to Rwanda in 2008.
In 2008, Lyn & Jesse Rosten and I headed to Rwanda to do the last round of filming for Rwanda: Hope Rises. Our hosts were our friends at the Wellspring Foundation for Education, a non-profit working in Rwanda toward quality education. They do the hard, everyday work of training teachers, educating kids and working with headmasters & the ministry of education to deliver the best possible education to Rwandan kids.
My friend and fellow creative Craig Harris just completed editing footage from that trip into a promotional film for Wellspring. The piece is a great example of collaboration at its best. A hard-working non-profit receives the combined efforts of several creative people, melded into a cohesive finished product. Have a look and let me know what you think in the comments!
This isn’t the type of work I’d normally feature here, but I’ve been prodded to give it a mention. The above video is an example of the result of the imaging workflow I helped to design for Vancouver 2010’s Olympic Torch Relay. Within a few hours of being shot, the above video was edited & available to broadcasters via satellite, to media (with stills) via the internet, and online via VANOC’s website. I worked with the team at Image Media Farm to craft the overall workflow, including video & photography ingest, data transfer and storage, editing & delivery via satellite and internet across the continent, and metadata retention and archival.
This is the largest Olympic relay yet, and it posed many design challenges. By the end of the relay, there will be 106 continuous days worth of video & photography, all of which had to be tagged and tracked for the more than 11,000 torch bearers and hundreds of cities & towns involved. The equipment had to withstand the harsh conditions of a trek across the Arctic and a travelling convoy back across the country… and all on a budget. Along with several parties needing different edited pieces out of the system and constantly changing requirements, it was a challenge – and one that I enjoyed thoroughly. Hats off to the media team on the road who do the hard daily work of putting this together.