A friend in Rwanda is looking for investors in a social-interest company. He’s a solid guy (the main character in my Rwanda film). They grow geranium and sell the oils on the international market. The project is run by widows & orphans in the area, who receive the profits.
He’s looking for investors in the company. Investments will have an immediate, on the ground effect towards a self-sustaining business in the developing world. If you, or anyone you know, is interested in investing in a company like this, drop me a line.
Friend and filmmaker Toddy Burton recently released her short film The Aviatrix for the online masses. Click the poster to check it out on YouTube.
I seem to be a fan of these double-ender trips. This spring I went to Rwanda filming a documentary, then travelled on to Swaziland for a photo assignment. This time around, filming in Bulembu wrapped two days ago and I’m now in Tel Aviv ready to shoot another documentary.
The shoot in Bulembu was fantastic. Many memorable moments with the Tenors, and I feel like I was able to capture the beauty, memory and emotion of the place. It’ll be a fun edit – 2TB worth of footage – and I’m looking forward to seeing the finished product.
I’m now on to directing 2nd unit for a doc here in Israel. Main unit arrives in a couple days; I’ll be spending the first few days collecting “GV’s” (as the Brits say – General Views) around Tel Aviv.
Day 3 in Bulembu – things are going very well. We’ve captured some great moments and beautiful images. This really is an amazing town. More when I can get better net access…
That’s how long it took to pack my bags & camera carry-on.
Incidentally, it took 23 minutes because that’s all I had before the taxi arrived.
A string of nights with 3 hours sleep then attempting an all nighter don’t lead to efficient work. Around 4AM I found myself nodding uncontrollably, so I settled in for a short “nap”.
But… I’ve done this a few times now. I only managed to forget a few Clif bars and my book to read. Everything else came out in a flurry, and habit landed most of what I need in my bags in a few minutes.
And with that we’re off to Bulembu. The equipment left yesterday with my DP, Jonny – 9 cases plus a carnet. So I’m travelling nice & light, just a carry-on and a backpack for clothes. It’s three days of transit to Bulembu… I hope to update with some pictures or video once we’re settled on the ground.
YVR-SEA-AMS-JNB; JNB-AMS-TLV; TLV-AMS-LHO; LHO-AMS-SEA-YVR.
That’s the itinerary I just booked, leaving August 22nd and returning September 29th. After Bulembu, I’ll be heading to Israel to shoot 2nd unit for a production there with Jim van Dijk. I’ll be (happily) using the Red camera again, and working with a bigger crew & budget.
And on my way home, a short stopover in Oxford.
Together with Rwanda: Hope Rises being complete before I go, and the trip to Bulembu before heading to Israel, all I have to say is:
Got confirmation an hour ago of another project in Bulembu, Swaziland, this time with moving pictures. I’ll be departing with a crew on August 22nd, just a few weeks away.
We’ll be shooting on the Red, filming the Canadian Tenors as part of a storytelling package for a benefit concert at the Orpheum. I’m excited to visit Bulembu again, to share its beauty, see its evolution and renew friendships.
This is the first project of a new venture, Cinesketch. And tomorrow I’ll have some news on where I’m heading after Bulembu…
Did a post on Reduser.net about my experiences working with the RED One… mostly shop talk, but if you’re interested:
Real-world Working REDs
Plus some other RED-related news that I’m not allowed to post :)
There’s something satisfying about throwing a passport in a carry-on with a few changes of clothes and heading out the door – no gear, no cameras (well… almost. Does an LX-2 count?), and the work has been done. Now I’m just along for the ride.
A heroic all-nighter by my editor, Steve Plitt had me exiting the door with two freshly burnt copies of Rwanda: Hope Rises in my hands. I caught the gate as they were making last call, and here I am: In Fresno.
This is the first time an audience will see a completed cut of the film, the culmination of three year’s work. And it has turned out better than I imagined. Having a skilled editor see with fresh eyes has brought the story to life again for me, and I’m excited to show it to people. It still has yet to go through the spit & polish of a final mix etc. but I think the three audiences this weekend will enjoy the experience.
If you’re in the Fresno area, get in touch and I’ll let you know the details of the screenings.