422/129

Outline view in my writing software

I search for the line of the film from amidst a mountain of impressions, annotations and intuitive connections. To get there, each of the best moments receives a digital “3×5 card” with a title, impressions, tags for scene type, songs and characters, and a summary transcript or translation. With just the best material, I have 422 index cards—too much to parse. So I slice further to just the scenes that send shivers down my spine.

I must be easily impressionable because after the latest cull I still have 129 “so great it has to be in the movie!” scenes…

Author: Trevor Meier

Trevor is a filmmaker, photographer and world-traveller.

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